Poulenc’s Gloria: Benedictine monks playing soccer?
The second movement caused a scandal; I ask why? I was merely thinking, in my writing, of those Gozzoli frescoes in which the angels stick out their tongues; and also of some serious Benedictine monks whom I saw one day playing soccer.
Thus spoke Poulenc in response to criticism on the second movement of the Gloria. Marked Très vif et joyeux (very lively and cheerful), the score certainly calls for a mood vastly different from what usually associated with a Gloria. The music itself was also surprisingly cheerful and somewhat carefree.
From the short trombone call at the beginning of the movement (that was actually a bouncing of notes between TWO trombones), to the short-long-long-short rhythm of the choir when the “Laudamus te” text is introduced, to the ostinato rhythm of the orchestral accompaniment and the frequent and abrupt key changes, nothing showed the usual seriousness of the religious text.
Except, perhaps, for the very brief chant-like passage and the short strings section that followed for the text “Gratias agimus tibi” that sounded a bit more serious. Soon though, the music would revert to the carefree bouncing of phrases between the upper and lower voices of the choir.
It was therefore unsurprising that early audiences and critics were disturbed by this joyful second movement, prompting Poulenc’s comparison with the soccer-playing Benedictine monks!
Come hear us perform Poulenc’s Gloria, Saint-Saëns’ “Organ Symphony” and more in the upcoming Learners concert on May 10, 2017! Contact us at 9234 6057 or by email at email@example.com for ticketing and donation enquiry.
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