Poulenc’s Gloria: Taking errors to a whole new level
It is common to find the inevitable odd error in even the best edited scores. With Poulenc’s Gloria, however, there are hundreds of errors, ranging from wrong notes and text to misprinted clefs and misprinted rhythm. The initial responsibility was not entirely on the shoulders of Edition Salabert, the publisher of the scores, although the failure to subsequently update and correct their scores cannot be denied.
Part of the reason for such messiness was the composer’s habit of working with his musical shorthand with much crossing out. His frequent revision made accuracy practically impossible. The original manuscripts and the first recording in 1961 differs. The manuscripts for the full score and the vocal score differs. To make things even worse, the composer has made changes during the 3 years the initial published scores took to be engraved and printed!
The revised edition isn’t any better
The scores are so “famous” for its errors that various journal articles have been published on the topic. The articles were meant not only to detail the errors but also to urge the publisher to publish a corrected edition. That was not to be, unfortunately, as the revised edition of the score (1996) was just as packed with errors.
As such, corrections need to be made prepare the scores for performance. Librarians of professional orchestras often create their own set of part scores, incorporating all known errors and changes. Fortunately, Professor Lee Barrow of the University of North Georgia has published an errata list on both editions of the scores based on his work with the manuscripts of the Gloria. His work was extremely helpful for anyone who is planning to perform this very popular Gloria.
Come hear us perform Poulenc’s Gloria, Saint-Saëns’ “Organ Symphony” and more in the upcoming Learners concert on May 10, 2017! Contact us at 9234 6057 or by email at firstname.lastname@example.org for ticketing and donation enquiry.